![]() Meredith recently tested out the RAW capture with the Odyssey 7Q+ shooting a “short story” video piece in Los Angeles. It fit my needs and my experience has been very positive.” ![]() There’s no other system where I’ve seen such nice color depth and highlight roll off. I love the functionality but mainly the image quality. “When I finally rented the VariCam, it pretty much stood out in every way possible. “I’ve shot RED, FS7, C300 Mark II, and C100,” explains Meredith. Before buying the LT, he went through an extensive phase of testing. “With this philosophy, and without using any lossy compression, we are able to hand off the best possible recorded RAW signal quality to the post production operations, ensuring a better end result after grading.Ĭinematographer Ben Meredith is a VariCam LT owner, mainly shooting commercials, short films, and corporate work. “Our philosophy is if you want RAW, do it properly,” continues Mahrer. If I’m going to record my image data in the camera, I want to capture the image with the least possible manipulation, certainly nothing that limits any useful or critical parameter.Ĭonvergent Design’s Odyssey 7Q+ is an advanced recorder that can record HD/2K/UHD/4K via SDI and HDMI, as well as being a fully featured OLED 1280×800 monitor “Less processing in the camera allows for more creative control over the image parameters later in post, where the tools and their control is often better. “Ideally it’s about maintaining the image at its best possible quality, with no constraints on color space or any perceptual tone mapping, thus preserving the widest gamut and maximum dynamic range,” explains Panasonic Senior Technologist Steve Mahrer. Its origins come from still photography in which the image is processed by a RAW converter in a wide-gamut color space where detailed adjustments can be created before it’s converted to a “positive” file format such as TIFF or JPEG for storage. So what is RAW – but more importantly – why should cinematographers capture RAW files? In a nutshell, a camera RAW image file consists of slightly processed data from the image sensor of a camera. RAW power – Convergent Design’s Odyssey 7Q+ with the VariCam LT With the Odyssey RAW Bundle upgrade, you can record both uncompressed DPX, and Apple ProRes 422 HQ files. Convergent Design’s Odyssey 7Q+ is an advanced recorder that can record HD/2K/UHD/4K via SDI and HDMI, as well as being a fully featured OLED 1280×800 monitor with RGB waveforms, histograms, and the ability to monitor LUTs. ![]() You can capture 4K RAW up to 30-fps over a single SDI and up to 60-fps (10-bit) with dual link SDI. Although it shares the same sensor as the VariCam 35, the LT, up until now, did not feature RAW capture.įor VariCam LT users looking to capture RAW files, Panasonic has released firmware for our VariCam LT that allows you to output 12-bit 4K RAW files externally to a Convergent Design Odyssey 7Q or 7Q+ recorder. ![]() The VariCam LT was launched in 2016 as a professional 4K cinema camera, primarily targeted at indie and documentary filmmakers. ![]() One of the key features of the VariCam 35 and new VariCam Pure 4K cinema cameras is uncompressed RAW capture to Codex V-RAW recorders. ![]()
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